Shoot the Projectionist
Tuesday, July 28, 2009
Man Ray (#2)
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Memoir through criticism, and vice-versa.
Shoot the Projectionist
is Eddie Hardy. He used to sing in bands in Oakland; write record and movie reviews in New York; and host a podcast in Portland, where he still lives and writes.
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Greatest Hits
The Grid: Telelvisual Culture in "ROBOCOP"
Rosenberg, Minaj, & the Meaning of "Old School" HIP-HOP
WES ANDERSON, Nostalgia, & the 11-Year-Old Point of View
Like Ionesco Doing Stand-Up: ANDY KAUFMAN & Eugene Ionesco
Thoughts on Cell Phone Use in "THE DEPARTED"
Recuperating FRANKENSTEIN's Monster as a DRAG ICON
Masculinity in "40-YEAR-OLD VIRGIN"
ZONA: (a discussion of) a book about a film (STALKER) about a journey to a room
Celebrity Stalkers of the Old West: THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD
COLD IN JULY: Playing in a Bigger Sandbox
Zombies vs. Killer Car: Towards a More Authentic Exploitation in "GRINDHOUSE"
HITCHCOCK'S "FRENZY" and the Multivalent Protagonist
Repetitionalism: RAYMOND CARVER'S CATHEDRAL
"KILLER OF SHEEP": an appreciation
A Proper Human Specimen: Review of "THE FINAL MEMBER"
Representations of Governmental Power in MICHAEL BAY'S "TRANSFORMERS"
Postmodernism in Robert Kolker's CINEMA OF LONELINESS
The Dark Side of "SUNSHINE"
Slow or Fast, Undead & in Limbo: ZOMBIES in Western Pop Culture
Thoughts on Gender in "SINGIN' IN THE RAIN"
Double Dose of SEIJUN SUZUKI
Grounding Absurdity in Reality: Looking at 3 Short Films by BUSTER KEATON
Towards a Gender Analysis of PINKY VIOLENCE
Look at these Assholes: AMERICAN DIRECTORS Who Mattered in 2007
Underclass Overachiever/Weary Former Success: Character Types in the Films of WES ANDERSON
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